Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged if slight first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to burgle his own family home. In no time, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Woodsman denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one key story turn, but it results in a hilariously staged rampage on the woodland paths that veers toward rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
Game is in UK and Irish cinemas from November 17.
